It is the only piece from the Concerto to be excerpted as a single. Again, the Vocoder is used at the end of the track where, at the 4:54 mark, one can hear "Please turn me over" as it fades out. Blue Sky", an uplifting, lively song celebrating sunshine, is the finale of "Concerto for a Rainy Day" suite. The raining weather theme is continued throughout the track, though the mood and lyrics are more optimistic. "Summer and Lightning" is the third song in the suite. Apart from its inclusion on the Out of the Blue album, the song has never appeared on any of the band's compilations or as a B-side until 2000, when Lynne included it on the group's retrospective Flashback album. "Big Wheels" forms the second part of the suite and continues with the theme of the weather and reflection. Also heard at the 0:33 mark of the song, which marks the beginning of The Concerto, is thunder crackling in an unusual manner voicing the words "Concerto for a Rainy Day" by the band's keyboardist, Richard Tandy. "Standin' in the Rain" opens the suite with a haunting keyboard over a recording of real rain, recorded by Lynne just outside his rented studio during a very rainy summer in Munich. This was inspired by Lynne's experience while trying to write songs for the album against a torrential downpour of rain outside his Swiss Chalet. Side three of the release is subtitled Concerto for a Rainy Day, a four-track musical suite based on the weather and how it affects mood change, ending with the eventual sunshine and happiness of " Mr. ( December 2021) ( Learn how and when to remove this template message) Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources. This section needs additional citations for verification. The "tender ballad" "Steppin' Out" closes Side 2. Billboard described the song as a "catchy rocker characterized by semi-classical elements." Side 2 Guarisco attributed its disco sound to " Bev Bevan's steady drum work" and "pounding piano lines, delirous bursts of swirling strings, and endlessly overdubbed backing vocals mesh seamlessly to form an ornate but driving funhouse of pop hooks". " Sweet Talkin' Woman" serves as the band's "first real step into the disco sound a string-laden pop tune whose dance-friendly edge helped it become a disco-era hit". Cash Box said that it begins "with simple chording which opens to a strumming beat" and that the " strings add panorama" and that "the vocals are characteristically crystalline and soaring." The following track is " It's Over", which takes on what Billboard Magazine described as a "classical feel". Guarisco as "a good example of Electric Light Orchestra's skill for mixing string-laden pop hooks with driving rock and roll", praising the "array of swirling string lines that dart in and out of the mix and some dazzling falsetto harmonies that interact with Lynne's lead vocal in call and response style". The opening track, " Turn To Stone", was described by Donald A. It was one of the first pop albums to have an extensive use of the vocoder, and helped to popularize it.
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